It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’. Med Hondo uses this tracking shot to establish the sett...。杜琪峰,一位從97後香港影業低潮中崛起的本地導演。從逆境中突圍,杜琪峰的電影作品從通俗化到作者化,更慢慢與“香港”這座城市密不可分。經歷香港回歸後的15年,面對合拍的關口,一切仍是未知數,環境一直在變化,唯有他對電影的愛沒有變。 面對浩淼的電影世界,滄海一粟,他唯一做的是不能停步。。