高正辉乃警方卧底,为掩饰身份而混入黑社会,但常为其父所责骂。其父因得悉程立山之犯罪勾当而遭杀害。正辉在祭父时与亲妹高智玲反目。
正辉为了爱人Lisa与妹妹着想决抽身退出江湖,但遭上司否决。正辉借机会与程手下阮文混熟,二人往与大圈仔交易时遭伏击,又被智玲率警员追捕,正辉乘机唆使阮文杀程,但于下手之际突感犹疑,正辉唯有夺枪轰程,但遭程之手下乱枪还击,正辉身中多枪,此时智玲已领警员前来逮捕他……。讲述因为某个人被强制涉毒的缉毒刑警,为了追踪留下50亿保险金后离去的高中同学的死亡而显露出来的朋友之间变质友情的犯罪搜查惊悚故事。 池晟饰演冷静又缜密性格的重案组张在京,他是因为高中同学选择死亡后得到50亿保险金的人物。在警局备受尊敬,和友情、工作、家人都保持距离,必须守护原则的信念。 田美都饰演被不当解雇后回到故乡的寒酸新闻公司经济部长吴允真,丈夫和子女移民海外她独自寄生活费的刹那,听到高中同学死亡剩下50亿保险金的消息之后,展现友情素面。自我主张很强,勇往直前,决心成为垃圾记者。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date.
The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer.
The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。