A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formall...。比尔对自己离婚和没能获得儿子的监护权感到非常悔恨。所以当他听说朋友罗杰闹离婚是因为朋友的妻子以便能发展自己的同性恋情时,比尔决定帮助罗杰获得他儿子的监护权……他们用尽一切手段,甚至不惜找来最低俗的律师打官司。但是当比尔感到女权主义已经夺取了他的家庭时,他开始对自己和罗杰的所作所为感到异常震惊。。